By Ignatius Pereira-with due credits to the Voice of America
Seven decades ago (June 1948) something musical happened to
sound. It changed the way people enjoyed music. This week seventy years ago the
first long playing (LP) vinyl aarecord was introduced by Colombia Records, an
American company, and it enabled people to listen to longer pieces of music. They
were the first way fans could buy music to listen to at home. It enabled the
release of albums.
The first microgroove LP released by Colombia Records was
Columbia ML 4001, the Mendelssohn Violin Concerto in E Minor with soloist
Nathan Milstein, and Bruno Walter conducting the Philharmonic Symphony
Orchestra of New York.
The anniversary is being celebrated by the British music company
HMV and the Sony Classical by recreating 500 copies of the first performance recorded
to an LP. That recording was of a piece of classical music: Mendelssohn’s
Concerto in E minor. Violinist Nathan Milstein performed the music with the New
York Philharmonic Symphony Orchestra. All the copies of the LP are to be given
away to fans, except for one, which will be donated to the British Library.
Prior to the introduction of LP records, all phonograph
records for home use were made of an abrasive (and therefore noisy) shellac
compound with a much larger groove, and played at approximately 78 revolutions
per minute (rpm), limiting the playing time of a 12-inch diameter record to
less than five minutes per side.
With LP records having a narrower groove and a slower speed,
one could get up to 20 minutes, which meant...you could get a whole package of
songs together on one record. In fact it was a huge step forward for sound
recording and music.
Earlier, record companies had tried and failed to add more
grooves to records to increase their playing time, but the shellac surface
could not effectively hold all of the sound information of the smaller grooves.
One of the major advances that had been made in the 1930s was the introduction
of vinyl resins.
This first successful LP record was developed by Columbia
Records, under the direction of Dr. Peter Goldmark, a Hungarian-born electrical
engineer in his late thirties who had been delegated the task of developing a
practical slow-speed microgroove record with a team of co-workers and Bill
Bachman, Columbia’s research director. It made 33 and 1/3 revolutions per
minute and became the standard for gramophone records for about 50 years.
It is said that with the invention Columbia Records put the
needle down on history's first successful microgroove plastic, 12-inch, 33-1/3
LPs in New York, sparking a music-industry standard so strong that the digital
age has yet to kill it. Before that time, music labels, including Columbia and
RCA Victor, had failed to launch commercially successful 33-1/3 records to
market, for various reasons. Although RCA Victor made attempts to introduce the
first commercially available vinyl long-player designed for playback at 33-1/3
in 1931, the Great Depression shelved that ambitious project in 1933.
The added advantage of this week’s anniversary celebration
is that it comes at a time when LP records are becoming popular again.

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